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Youth in Revolt review
Youth in Revolt was definitely different compared to the usual, monotonous romantic comedies which have been released in recent times(With the exception of Valentine's Day), but this film was definitely a 'different breed' of this genre. It was definitely an interesting film, although it wasn't a constant flurry of entertainment, it still maintained some remnant of comedic value throughout. Michael Cera(playing Nick Twisp) definitely stood out in Youth in Revolt compared to his past efforts; playing a different type of character from what he usually plays, a dull, wooden version of himself. That isn't to say that he isn't funny, after a while, the same type of character begins to run dry and repetitive. Francois, Nick Twisp's alter ego in the film was a character which to me, added more differentiation to the characters Cera usually plays. There were moment within Youth in Revolt which I found relatively humorous, and it was these moments which were most memorable. Primarily the scenes with Francois were the ones which stood out, as they were different to what I'm usually used to seeing Michael Cera in. Portia Doubleday(Playing Sheeni, Nick's love interest) had an interesting character, but what gravitated me more toward her was her dialogue. Or, the way she was performing her lines. She had such an eloquent style when she spoke, which was complimentary to the lifestyle of her parents in the film. Not the most exciting film of the year so far, but still an interesting look at Cera doing something different. Lovely dialogue, great cast choice, moderately funny romantic comedy. 7/100
Academy Award 2010 picks
So this'll be a first for Movieville.org, seeing as we started up before the Oscars season last year, we missed the chance to mention this. Well, we have the chance now. I'm going to pick the ones which I have a connection with, with the exception of 5 Nomination categories(Documentary- Feature and Short Subject, Short Film- Animated and Live Action, Costume Design). Let's get this started. I'll justify the ones I feel need justifying, otherwise it'll just be the nomination. Best Picture: Avatar The first time watching Avatar in 3D, I said it was the best film I had ever seen. In many ways, it was, but there were minor flaws brining this film down. But based solely on the recognition this film has been getting since it's release, it seems to be a clear pick for best picture. Actor in a Leading Role: George Clooney (Up in the Air) After watching Up in the Air, it hadn't occurred to me that Clooney would be in the running for an Oscar. Watching it a second time, it's quite clear as to why he was considered to be in the running for an Academy Award. Clooney in Up in the Air was as refreshing as the film itself. Definitely not his best, but definitely Oscar-worthy. Actor in a Supporting Role: Christoph Waltz (Inglorious Basterds) His sinister presence was noticed in every scene he was present in, and his performance as an antagonist in Inglorious was as noteworthy as the rest of the cast, if not better. Having already received a number of awards for his supporting role, this one should be in the bag. Actress in a Leading Role: Gabourey Sidibe (Precious) I couldn't see another actress on the list who deserved it more than Sidibe did. Actress in a Supporting Role: Anna Kendrick (Up in the Air) Anna Kendrick in Up in the Air was such an excellent addition, after her minor role in the 'Twilight' films, it was definitely a step up seeing her in a more 'involved' role. Animated Feature Film: Up Every time Disney/Pixar release a film, they never cease to impress. Up most definitely wasn't an exception. Each film is a step up from the last, and Up exhibits this perfectly. Definitely the best animated feature of the year. Art Direction: Avatar Nuff' said. Cinematography: Avatar There were too many shots in Avatar to count. But each shot was as beautiful as the last. The shot from the top of Hometree, from the Hallelujah Mountains, the trademark shot of Sully's feet 'tasting' the fresh soil for the first time- All shots which will forever remind me of Avatar. Directing: Up in the Air Film Editing: Inglorious Basterds Foreign Language film: Un Prophète (A Prophet) Makeup: Star Trek Music (Original Score): Avatar I've never listen to a movie score more than I've listened to Avatar's. I said this when I reviewed it, how each track equally matches it's visual counterpart, in both intensity and emotion. Whether Avatar gets the award for this nomination or not, it'll still be one of the best movie scores I've heard. Music (Original Song): Down in New Orleans Sound Editing: Up Sound Mixing: Star Trek Visual Effects: Avatar Again, nuff' said. Writing (Adapted Screenplay): Up in the Air Having already won an award for the same nomination at the BAFTA's, it won't surprise me if Up in the Air grabs an Oscar. Writing (Original Screenplay): Up There we have it, my picks. Kazed. FYI, The reason for me not doing the BAFTA's was it was too close to the time.0
Up in the Air review
Synopsis: The opening scene is pure hilarity, something I definitely enjoyed, and were people who have actually been fired recently in real life. The scene was organic, a word I use quite a lot, but this scene was just that- real, with real people. At any point during that establishing scene did it seem scripted to me, it was obvious they were being directed, but not so obvious that it was harmful to the overall polished-ness of the film. George Clooney plays Ryan Bingham, a man who travels from state to state firing people from their jobs because their bosses are too afraid to do so. So up until a little while into the film, he's leading a sheltered life of solitude and emptiness, but he doesn't realise this until he meets someone who complements him perfectly. What I found to be brilliantly astute was the way the air miles were portrayed within this film, as some sort of status symbol. Another thing I admired was how Clooney's character had a goal that he wanted to reach, it was as if he lived his life simply to achieve this. The way he spent every aspect of his life so sparingly was admirable, how he was organised, almost as if his life was choreographed. Brilliance, would be the best word to use here, how each scene was crafted with such precision. What do I mean? I'm referring mainly to the scenes where Ryan and Natalie(Anna Kendrick) are together, especially the scene where they both set out for the first time, the flow of that particular scene was clean, it was brilliantly edited, and was when I began to get a good insight into Clooney's character. Kendrick was great in this, her character was sheer brilliance, definitely her best role I've seen her in. Her cockiness-turned-understanding attitude was a good change of pace, I think she was portrayed as a cocky graduate quite well, and when she found out how damaging life can be, it was heartwarming, when she understood what she was doing was a little unethical and belittling. Theres not much else I can say without ruining the story, but it was such a good watch, another great from Jason Reitman, the ending was a bittersweet moment for both the audience and Clooney's character I think, but it was a stirring moment when he had returned to assist with the problems. Good film, good plot, good acting, witty, quirky dialogue, great cast, great film. 9/100
'Brand New' Alice in Wonderland Trailer
A while back, the teaser debuted for Alice in Wonderland, and it looks every bit the same as this 'Trailer'.
Alice in Wonderland - Extended Trailer Oh yeah, just the same as when it was released not long ago. I'm really excited about this, I used to love Alice in Wonderland as a child, and this doesn't seem half assed, with Tim Burton on board, theres NO chance it will be. Kazed.












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