Tag: mickey

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Relentless Short Story film Winner announced

‘If I only scrape a living, at least it’s a living worth scraping. ‘If there’s no future in it, this is a present worth remembering.’ Mickey Smith, Dark Side of the Lens Monstrous waves emerge from a dark sea, a massive, daunting force of nature. Cold grey clouds are punctured by shards of golden light. Ancient red cliffs, tower block high stand strong against the battering, brutal Atlantic. In contrast, a softly spoken voice, professes his passion for this powerful place, over a menacing crescendo of picked guitars and drums. Cut to a thick neoprene wrapped body, huge vintage camera in hand, floating in a rare calm between sets, at one with his adopted aquatic office. This is Dark Side of the Lens, a moving five minute film by surf photographer Mickey Smith and filmmaker Allan Wilson of Astray Collective - which Relentless Energy are proud to announce as the winner of their first Short Stories competition for young directors. At a VIP event at the Relentless Energy Garage, with selected athletes, artists, industry and media in attendance, all four Short Stories films from 2010 were screened. And, after a tense tight race between votes for all films, the surf episode Dark Side of the Lens was voted the winning short by the judging panel of industry experts. “I’ve been blown away by the response to Dark Side of the Lens – from across the world,” says Smith. “It was a deeply personal film, so for people to enjoy, appreciate and respond to it like they have is mind blowing. “ Released online in August, the short is Smith’s stunning semi-autobiography, and a humble poem to the grandeur of Ireland’s remote West Coast which went viral instantly, clocking over a million views – and counting. “I wanted to create that something that would give insight into what it takes to grind out a living as a water-based photographer in the surfing industry,” Smith explains, “to provide a short, experimental glimpse into life lived in the shadow of what is, for me, an obsessive pursuit.” The surf film was the first released by Relentless for Short Stories - a challenge to filmmakers worldwide to explore, reveal, celebrate and define Relentless’ NO HALF MEASURES attitude through the medium of film. Directors were briefed to bring Relentless’ uncompromising approach to life as powerful as possible. In addition to Dark Side, three more compelling shorts were released: Transatlantiscm by Matt Lambert, his portrait of BMX pro Mark Webb; Permanent Vocation by Finnish filmmaker Johannes Östergård, on Triple X Games champion snowboarder Jenny Jones; And the stunning Flight of Passage by multi-talented filmmaker James Gardner, starring skater Ben Nordberg, with heartfelt narration from Steve Mason, former The Beta Band front man. “Relentless Energy’s Short Stories is an inspirational project,” says Relentless spokesperson Steven Ruhl. “Our aim is to give young filmmakers a platform to progress creatively and showcase their work, so their talent is recognised internationally. Mickey Smith’s Dark Side of the Lens was the perfect debut: what started as a few scribbled stanzas to surfing, was transformed into a heart-stopping piece of cinema that’s captivated global audiences.” As well as being the overall Short Stories 2010 winner, Dark Side of the Lens has already won several prestigious film awards: Best Short Film Award at the New York Surf Film Festival, Best International Short award at the inaugural Canadian Surf Film Festival, and Digital Short of the Year at the star studded Surfer Poll Awards. “Dark Side was a powerful opener, and the next three films were just as exciting – each reimagining NO HALF MEASURES via completely different visions,” adds Ruhl. “But, with Short Stories now open to overseas filmmakers, Relentless Energy are anticipating an even more life affirming series of short films for 2011.” Short Stories is now calling for entries for its 2011 evolution – with eight films released from February to December. Relentless invite international filmmakers to define their empowering attitude NO HALF MEASURES – where artists and athletes who pursue their obsessions without compromise - but concentrating on the theme of FOCUS. A mental trait that great athletes and artists develop over time, focus is when freerider Xavier De Le Rue reaches the summit of a mountain after an eight hour trek: confronted with the challenge of travelling straight back down at speed, he knows precisely how to erase doubt from his mind. Focus allows him to conquer his fears, achieve the optimum state of concentration: the only state that allows him to do exactly what he needs to do. It’s this concept of focus - the ability to create order out of chaos and a zen-like state of calm - which Relentless have asked filmmakers to use as inspiration for Short Stories 2011: to enliven the concept of focus through cinema and communicate power, scale, grandeur and mood. Nothing should be spared; no shot should go to waste. View Dark Side of the Lens now on: https://www.relentlessenergy.com/films/view/dark-side-of-the-lens http://vimeo.com/16691463 http://www.youtube.com/relentlessenergy#p/u/0/1swPZzxv0tI See all of Relentless’ Short Stories films on: relentlessenergy.com/films and youtube.com/relentlessenergy

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Iron Man 2 review

Synopsis: The world is aware that billionaire inventor Tony Stark (Robert Downey Jr.) is the armored Super Hero Iron Man. Under pressure from the government, the press and the public to share his technology with the military, Tony is unwilling to divulge the secrets behind the Iron Man armor because he fears the information will slip into the wrong hands. With Pepper Potts (Gwyneth Paltrow), and James “Rhodey” Rhodes (Don Cheadle) at his side, Tony forges new alliances and confronts powerful new forces. - RottenTomatoes.com So there I was, sitting in the theatre, waiting for the film to start, waiting for the god forsaken commercials to cease their stupidity. 22 Minutes from the advertised start time, the film actually starts. So it begins, but I'm not disappointed, just slightly let down by the first half of the film. The opening scene introducing Stark/Iron Man was pretty impressive, I thought the entrance was quite cleverly done, with the whole expo revolving around Stark, just showed how huge his ego was made out to be. As a whole, the effects were sensational, and a lot of the time found myself concentrating more on the visuals rather than the film itself. Robert Downey Jr did a good job of keeping his role consistent with the first, but maybe overdid it a little, as it seemed as though his improv-style was losing it's charm. There were scenes where it worked incredibly well, but others it just seemed a little too improvised, talking over some of the other cast members, seeming a little unplanned. The fight between the two protagonists seemed so entirely unnecessary to me (much like the strut/dance in Spider-Man 3), but fortunately, everything following this moronic segment were the best parts of the film. Seeing Stark in a different light was quite insightful, and definitely put is character in perspective. Mickey Rourke as Whiplash was such a great casting decision, but it was a shame that he had no more than 15 minutes screen-time. What a shame. When I'm asked about Iron Man 2, I say "It was good, had it's highs and lows, but it wasn't better than the first". There we have it. With overall solid performances, great additions from Scarlett Johansson and Samuel L. Jackson, maybe a little too much going on character-wise, Iron Man 2 was a good film, but unfortunately falls short of it's predecessor. Still gets a 7/10. Kazed.

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Iron Man 2 Trailer

This hit the web a couple of days ago, it looks just as good as the first, if not better. Behold. Sweet baby. Kazed